Time Marching On
October 2015 S M T W T F S « Sep 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31
- Michael Clarke on Cereal Offenders
- Moira Garland on Cereal Offenders
- Michael Clarke on My Guest Post on the Romantic Novelists’ Association Blog!
- Edith on My Guest Post on the Romantic Novelists’ Association Blog!
- Blogging: Blog Tour Monday. Hop Hop Hop. | emmaiswritinganovel on The Liars’ League Experience
- Michael Clarke on Virtual Graduation Ceremony — I’m Now Officially an MA!
- Jon on Virtual Graduation Ceremony — I’m Now Officially an MA!
- Anne on Blog Tour Monday
- Mike Clarke on I Mastered It!
- Bren Gosling on I Mastered It!
Hot Tagsagents art artists backstory BBC Certificate in Novel Writing course character Chilterns Creative Writing Classes deadlines dialogue Emma feedback Germany James Kim language London MA in Creative Writing Manchester Metropolitan University Metroland Poets motivation Olympics Penny Rudge planning Plot point of view pop music psychology Publishing pubs readings Research setting sex Shoreditch Structure subconscious Tate Gallery The City theme The Shard tutorials Village Underground workshops
- One-Day Workshop on Writing Historical Fiction 10th Oct September 29, 2015
- Why the Creative Writing A Level shouldn't be axed September 21, 2015
- All the posts I mentioned at the York Festival of Writing 2015 September 11, 2015
- Everything you need to know about Svetlana Alexievich, winner of the Nobel prize in literature October 8, 2015 Marta Bausells
- National Poetry Day: readers dedicate poems to babies, partners, friends and goats – video October 8, 2015 Guardian readers and Marta Bausells
- Super Thursday: the good, the bad and the doggone awful October 8, 2015 Guardian books
- Long gestation for a Dirty Rat October 6, 2015
- Arrivals and Departures - out now! February 1, 2015
- Poetry competition success at York Literature Festival May 9, 2014
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Tag Archives: theme
My novel is set partly in London (the City and über cool Shoreditch) where you only have to walk down the street or take a bus to realise there’s an abundance of non-native inhabitants. And it doesn’t need a UKIP party political … Continue reading
My English teacher in the sixth form introduced me to ‘only connect’ — the famous E.M.Forster quotation — not the addictive BBC4 quiz show with Victoria Coren (although the latter is inspired by the former). The implications of those two … Continue reading
The Angel is partly set in an outwardly idyllic English country pub — thatched roof, low beams, flagstoned floors and looking out through its mullioned windows on to the village green with its cricket pitch and duck pond. It’s a … Continue reading
One of the questions that recurs in my novel is the importance of location — especially for artists.In my novel Kim is a German artist who has arrived to London from Berlin in the expectation that it’s the place to … Continue reading
The Hokey Cokey seems to possess the same level of serious reasoning as did last week’s unconvincing and desperately tactical David Cameron speech on an ‘in-out’ referendum on British membership of the EU. His gambling with the country’s political relationship with … Continue reading
My novel has a lot of food in it — and probably one of the most consistent pieces of feedback that I’ve received from the many and varied people who’ve been kind enough to read parts of the manuscript (or … Continue reading
…asÂ Boris Johnson inimitably saidÂ last night in Hyde Park — before his brilliant put-down of Mitt Romney. Well, my Olympomania Geiger counter has been building up to Zoink steadily over the last few weeks but Boris’s ‘Are we ready?’ speech seems … Continue reading
When I started writing the novel there were certain themes that I thought IÂ was fairly knowledgeable about: pubs, for example — I knew a lot about those. And food. And London geography and the pleasures of the Chilterns. And Germany … Continue reading
The title of this post is a German word that’s been adopted into English usage in the art world and translates roughly as total artwork — which I suppose is similar to the concept of total football as played by … Continue reading
There’s a lot of discussion in creative writing courses about how authors can find their voice. It’s quite a difficult concept to articulate — most simplistically it’s what defines the distinctiveness of an author’s style. This may, depending on the … Continue reading
…ends up in my novel. This may be something of a surprise seeing as most of it is set in an English country pub which, apart from the copious amounts of booze drunk, is probably one of the places least … Continue reading
It’s not some sort of weird business school acronym but the local shorthand for one of the best art galleries in the US — the San Francisco Museum of Modern Art. It’s a little confusing as, according to the guidebooks, … Continue reading
One of my favourite paintings — and one that is very germane to The Angel’s setting is John Nash’s The Cornfield, whichÂ I’ve blogged about previously. It’s relatively well-known, providing a motif for David Dimbleby’s BBC series on landscape painting a … Continue reading
I’m not sure about Kim’s personal taste in modern art but with her training she’d be sure to be able to hold forth about Cy Twombly, the American painter who died last week, and was the subject ofÂ some posts on … Continue reading
Apart from the two novels in progress I’ve also authored a more prosaic volume over the past fifteen months or so. And — spit on me now — I’ve decided to self-publish it. I don’t have much capital so it’s … Continue reading
I’m rather late in posting about this but last week I went along to the Sunday Times Oxford Literary Festival at Christ Church College, Oxford. I was hoping to spend the best part of a day there but one session … Continue reading
I wandered into Waterstone’s in Staines (of past Ali G fame) a couple of weeks ago and was magnetically drawn to a book called Pub Walks in Underhill Country byÂ Nat Segnit, which had the good fortune for a debut novel, … Continue reading
My ex-City coursemate Michael Braga shares with me a love of The Economist newspaper that must be very unusual among writers — many of whom probably consider its readers as the evil spawn of the global capital machine. I must … Continue reading