Nailing It

As well as being the title of the novel, The Angel is also the name of the pub at the centre of the narrative. It’s a fictional village local somewhere in the Chilterns and, is a little like George Orwell’s famous Moon Under Water as it’s something of an idealised English country pub (at least in its appearance — thatched, whitewashed, low-beams, inglenooks, flagstoned floors). As mentioned previously, it’s not based on one particular pub but everything in it is an amalgam of real characteristics of about a dozen pubs in the Chilterns that I know very well.

Of course, the physical appearance of a pub is only part of its appeal — the set where personal dramas are played out.  As anyone who’s visited more than a few pubs knows (in the country or city), it’s doesn’t take that much searching to come across some very idiosyncratic features — or strange activities that occur in otherwise ‘normal’ pubs.

Only a few days ago I visited a pub I’ve known for a while called England’s Rose in Postcombe, which isn’t that far from M40 junction 6. I’d naively assumed that the pub had borne that name for centuries but no — it was renamed from The Feathers almost exactly 16 years ago in 1997 after — you’ve guessed it — Elton John’s reworking of Candle in the Wind at Diana, Princess of Wales’s funeral. The pub had been converted into a shrine to Lady Di.

We were given a tour by the licensees. There was a whole bookcase of Diana-related literature in the main bar but the restaurant extension was where the Diana memorabilia had been most concentrated. Sadly quite a lot of the souvenirs had been thinned out in recent years but there are still rare photographs on the wall apparently presented by Mohammed Al Fayed.

In a similar vein, although there is more of a geographical connection, the Red Lion in Knotty Green near Beaconsfield has celebrated the life of probably its most successful writer — the phenomenal Enid Blyton.

From the Imagination of Probably Beaconsfield's Biggest Selling Author
From the Imagination of Probably Beaconsfield’s Biggest Selling Author

I say ‘probably’ because Terry Pratchett is said to have been brought up in the area, although he may have lived closer to the spectacularly ancient Royal Standard of England in nearby Forty Green. Huge though Terry Pratchett’s sales are, I’m not sure if he’s yet eclipsed the figures for the Secret Seven, the Famous Five and the rest of her vast backlist.

Framed Photos of Enid Blyton in the Red Lion, Knotty Green
Framed Photos of Enid Blyton in the Red Lion, Knotty Green

Fortunately, perhaps, at least for adult drinkers, the pub hasn’t themed itself around Noddy, Big Ears and friends. When I last visited a few years ago, it was more a collection of soft toys, books and a few photos framed on the wall. But it’s an example of how pubs can mark unexpected associations with their local communities.

The Brooke Bar, Prince and Lily
The Brooke Bar, Prince and Lily

On a more seriously literary note, the Pink and Lily pub on the scarp of the Chilterns near Princes Risborough, has a wonderfully atmospheric room devoted to war poet Rupert Brooke which is preserved almost exactly as Brooke would have drunk in it himself almost exactly a hundred years ago. Brooke does have a personal connection with the Pink and Lily, having written a poem about it and spending a lot of time in the area whereas I’m not sure if Diana ever drank in England’s Rose  or Enid Blyton in the Red Lion.

Combine the oddity of pubs with their role as venues where the local community comes to mix and things can get very strange indeed. It’s always been an ambition of mine to visit some of the inexplicably weird traditions in some of the remoter parts of the country. The tar barrels of Ottery St. Mary are near the top of my list, although not strictly pub related, but I’m most curious to visit the completely bonkers Straw Bear Festival of Whittlesea  — which seems to be the most surreal pub crawl imaginable.

But very peculiar entertainment is laid on in pubs closer to home. Below is a YouTube video I took at the Swan in Great Kimble during its recent beer festival (or Oktoberfest — which explains Mick, the landlord’s rather incongruous Lederhosen). No expense was spared in the provision of scintillating entertainment for the patrons — there was a nail driving competition.

For anyone unfamiliar with the idea (as I was) it is a stunningly straightforward contest. Two people with two hammers and two nails — and the fastest to knock their nail into the stump wins. Who needs 3D films, karaoke or even television when we can entertain ourselves like this?

But, in this clip, entertaining it definitely was. The two contestants are my friends Carl (on the left) and Simon. There are two separate contests but Simon is trounced in each one. The scepticism and bewilderment that Simon displays through movement and body language in checking Carl’s nail has indeed been driven in faster is pure physical comedy.

It’s a priceless little nugget that shows how British eccentricity still thrives if you know where to look for it.

Poetry Parnassus

Poetry Takeaway
MIne's a Doner With Extra Alliteration And Hot Metaphors Please

Here’s a very quick and timely post — showing that I’m still updating the blog despite only having posted once in June. (I’m furiously — and that’s probably a very apt word — trying to edit the novel into a state where I can send it to agents. But it’s a slow process and difficult to fit in with The Day Job and, more happily, the many diversions I end up spending time on through being in London during the week. (Of which perhaps more in other posts.)

Here’s something I visited one lunchtime this week — Poetry Parnassus. It’s part of the cultural Olympiad and is billed as the ‘UK’s largest gathering of world poets’ — in fact it’s said to be the biggest poetry festival ever in this country. It’s all organised by the South Bank Centre — and there’s plenty of information on their website.

There talks and readings by many famous poets, which is all of great interest to someone like myself, who’s dabbled in poetry writing enough to have had some published and be a member of a poetry group (Metroland Poets).

I particularly liked the quirky events held outside the Royal Festival Hall which try to inject a bit of humour into the precious and worthy image that often is unfairly associated with poetry.

Above is a photo of the Poetry Takeaway — a trailer designed to equate poetry with the sort of greasy kebabs that are sold to hungry, drunk customers from vans late at night in badly-lit car parks. The ‘customer’ queues to place an ‘order’ with one of the three poets ‘serving’ in the van (who can just about be made out in the photo). The poet (and they are relatively well-known poets) takes a bit of information about the person and what subject they’d ordered and the customer turns up an hour or so later to be served with a reading of their personalised poem. All great fun and completely free.

Sadly I had to get back to the office before I could order my takeaway.

There’s also a Poems on the Underground themed tent (see photo below) cleverly designed like a tube train (not quite convincing enough to believe it’s the real thing — unlike those at Village Underground, which are genuine). I didn’t go in the tent but apparently it holds workshops and events.

I went for a run past the Royal Festival Hall a day later and the Poetry Ambulance had arrived on the scene — no photos of this unfortunately — but it’s 60s vintage ambulance of the type you see on TV programmes like Heartbeat. It’s manned by poetic paramedics who will perform life-saving emergency treatment to sick poems — so any blocked bards should get along to the South Bank.

Poetry Parnassus finishes tomorrow on the 1st July — I’d recommend anyone with an interest to go along and join in. If the rest of the cultural Olympiad events are as innovative and humorous as the Poetry Takeaway then we should be in for a good summer (culturally at least, if not meteorologically).

Poems on the Underground
New Temporary Tube Train Drafted in for the Olympics? Or Poems on the Underground?

The Foolish Joys of Spring

Here’s a photo of a sheep…

Newborn 166
Newborn 166

…and a lamb which must have been a day or two old. I took this about three minutes into a run earlier in the week. The land use around here is a varied mixture of livestock, lots of horses, sheep, cattle and a few goats and pigs and arable, mainly wheat but there’s an absolutely massive field — about 3/4 mile by 1/4 mile — very close which has been sown with oilseed rape this year and will soon be a block of bright yellow that I imagine will also waft a pungent smell for a couple of weeks.

It’s fascinating to observe the rhythm of the seasons in events like lambing and it’s something I want to do in the novel — both literally and metaphorically in terms of the plot — decay and rebirth and so on. It’s been re-assuring, after the persistent snow and extremely low temperatures in December — I calculated about -15C at least in my garden — that hibernating wildlife seems not to have been affected. I’ve seen plenty of bumblebees and loads of ladybirds.

I get BBC Countryfile magazine and the new issue comes with a ‘free CD of British birdsong’. I guess there’s a trainspotter aspect involved — learning the individual songs of each bird if you can really be that diligent — but I imagine that the people who will play it most are those who don’t get the benefit of natural birdsong. (Before Classic FM was launched the engineering test transmissions played birdsong, which proved very popular with listeners.)

Fortunately I haven’t dashed to play my CD as the birdsong in the garden is at its seasonal peak — with the birds busy pairing off and making nests. We’ve got a few resident blackbirds who sing most beautifully perched on the tops of trees, especially at dawn and dusk. It makes me realise one of the best investments I’ve made in a long time was a 16kg bag of bird seed which saw us through most of the winter and has meant the residency of countless sparrows, finches, blackbirds, robins, starlings has continued. But I’m not sure it’s delivered on the promise of the first species on the sack, I’ve not had the pleasure of seeing those in the garden in the winter, more’s the pity.

Great Tits
Did It Do Exactly What It Said On The Tin?

Another joy of spring in the non-natural world is the April Fool. I was a bit remiss myself as I’ve enjoyed doing a few spoofs myself in the past — all I could do is post a very unconvincing status update on Facebook at 11.55am. Maybe it’s because of the recession but there were a lot of amusing hoaxes this year — there’s a round up here.

Legoland Vandalism
Legoland Vandalism

The Guardian has done some good April Fools in the past and this year it tried to convince its readers that it had changed position to wholeheartedly support the royal wedding. If you accepted this unlikely reversal of its stance then there were some very amusing stories on a supposed live wedding blog. My favourite was the desecration of the Legoland model of Buckingham Palace — a suspected trial run in miniature for the big day (see photo below linked to Guardian website).

Best of all — and my favourite for a long time — was the spoof Ken Bruce show on Radio Two. Like all the best hoaxes, and the sort of humour I like in general, this was done with such a light touch that it might just possibly have been serious.

I turned on in the car mid-way through the show and thought ‘this isn’t Ken Bruce, I wonder who’s sitting in’. But the lightly-accented Scottish voice claimed he was Ken Bruce. I twigged fairly quickly, especially after ‘Ken’ completed a whole link by burbling gibberish, that this was an April Fool and tried to identify who was the impersonator. Many other people took it literally and complained that it was Ken Bruce himself having his own joke — or that he was even drunk (which isn’t too far fetched given the rumours about another recently departed Radio Two presenter).

I nailed it as Rob Brydon fairly quickly — although the fact he’s on just about everything anyway helped narrow down the odds. His impression of a lecherous, incoherent egotist was so spot on that I felt a bit sorry at the end when the real Ken came on as he’d been so thoroughly skewered. (From a personal note I used to work for someone with a very similar drawl to this ‘Ken Bruce’ and he was also an occasionally lecherous, alternate monstrous egomaniac and paranoid neurotic so I did particularly enjoy Rob Brydon’s creation).

I’ve listened to the first half hour on the iPlayer — and I’ll try and listen to the whole thing again as it’s so funny.  There was perhaps a bit too much smutty innuendo for my liking — not because I’m prudish about these things (as some blog postings will attest) but because remarks about knobs are a bit lazy, like shock swearing, for a comedian to resort to — thankfully I didn’t hear any puns about garden birds and female anatomy.

But there were some inspired moments — particularly when the other presenters were trying to be serious. Hearing ‘Ken’ saying that Jeremy Vine had come in to ‘bore us all to death’ was priceless but I think my James might have been shaking the radio in rage.