Le Grand Départ

A Suitably British Place to Watch the Tour de France
A Suitably British Place to Watch the Tour de France

My novel is set partly in London (the City and über cool Shoreditch) where you only have to walk down the street or take a bus to realise there’s an abundance of non-native inhabitants.

And it doesn’t need a UKIP party political broadcast to point out that the recent changes in the population of London and the consequent changes in its character are particularly linked to rights of free movement within the European Union and its expansion eastwards.

One of my main characters, Kim, is a proud German but also an equally proud Londoner and thorough Anglophile — and she’s happy to live in cosmopolitan London indefinitely. It’s the hub of her world as an artist — but the price of living at the centre is the huge expense.

Kim goes to live in the countryside and her adjustment to life outside London — in a symbolic ‘green and pleasant land’ — unfolds as a significant element of the novel’s narrative.  Unlike London, with its diverse neighbourhoods and coexisting communities, Kim has to gradually assimilate into a more closed, conservative and less fragmented community, which nonetheless already hosts a large number of immigrants.

The storyline may resonate with the inevitable debate about Britain’s relationship with Europe which will rumble on for the next few years — as whatever the outcome of the election Europe is bound to be a very hot topic.

Given that I’m rather sceptical about the supposed mood of Euroscepticism in the country, I was intrigued by the reception given to Le Grand Départ — the start of that most continental of events. Over the last weekend the Tour de France staged what was effectively a takeover of large parts of Yorkshire and it rode into London on Monday.

How would the supposedly Eurosceptic British react to an invasion of foreigners spearheaded by the oldest enemy of them all? We loved it.

The French Advance on Buckingham Palace
The French Advance on Buckingham Palace

The road that connects Buckingham Palace with the Houses of Parliament — the axis of British government — was invaded on Monday by all things French — French TV cameras, banners in French, adverts for French supermarkets that we don’t even have in this country, the gendarmerie riding around London and even commentary in French relayed around the Mall and St. James’s Park. Surely this kind of thing would give Nigel Farage palpitations?

And the French invasion went right through London and beyond with the road to Tower Bridge sealed off because the French invasion procession was coming right past the Tower of London — look out for the crown jewels — and, as my photo shows, it caused huge disruption to the daily operation of the City of London.

Spot the Beefeater
Spot the Beefeater

Were those entire Cities financial types w ho deserted their offices en masse at 3.15pm on a busy Monday heading to the barricades to remonstrate with meddlesome Europeans whose garlic-fuelled bike ride was interfering with the pinnacle of human endeavour — swapping money from one account to the next at the speed of light?

Perhaps Nigel preferred the Tour de France to the tur din România (and if you thought I Google translated that you’d be dead right) and the little Englanders might be relieved the whole moving carnival would soon be back in the land of hundreds of fromages (hang on, isn’t that us too these days?) .

But actually the hordes of City evacuees — and the many spectators from office windows — weren’t objecting to the French incursion — they were celebrating. Because, as the Olympics also showed two years ago, there’s nothing more the British like than to welcome the rest of the world and lay on a rather good party.

Not Exactly Trooping the Colour on Birdcage Walk
Not Exactly Trooping the Colour on Birdcage Walk

London often provides the backdrop to the historic and exotic but this Tour de France was inspired because it also visited one of the most diehard conservative realms of the national consciousness — Yorkshire. ‘There’s nowt about thy fancy foreign ways that impresses me.’ And I can say that without much fear of being accused of regional stereotyping because I was brought up about three miles from the route of Stage 2.

On Sunday the cyclists pedalled through the landscape of my formative years — the foothills of the Pennines. I used to frequently walk on the bleak moors that mark the Lancashire-Yorkshire border (the landscape that inspired the Brontës, Ted Hughes and Sylvia Plath amongst others) and the aerial views of the hills, valleys and reservoirs between Haworth, Hebden Bridge and Ripponden looked forbiddingly beautiful on television.

I would have loved to have travelled up north for the race. The atmosphere amongst the 10,000 people who lined the route in the mile or so of the race where the route crossed on to the Lancashire side looked incredible – and what might not have been obvious from the television pictures was that, as the main roads were closed all day, the vast majority of the spectators in this section had to walk or cycle three miles, involving a near thousand feet vertical climb from the valley below.

I came across some amazing photographs on Facebook of Carrefour floats and French motorcycling gendarmes passing flag-waving crowds on roads in places so inhospitable that there are no houses for several miles (and these photos had bikes on them unlike mine — which failed to capture any cyclists due to various camera disasters). The crowds gathered only a couple of miles away from some of the most notoriously desolate peat bogs on the Pennine Way.

The landlady of the White House Inn, on Blackstone Edge — one of only two dwellings along a five mile stretch of the A58, remarked that the visit of the Tour de France ‘made me proud to be British‘.

This isn’t as bizarrely contradictory as it sounds – welcoming visitors is something the British take pride in – and is at odds with the rhetoric of the isolationists and Eurosceptics.

My fictional idyllic village has made many foreign residents feel very welcome — American art lecturers, Polish cooks, Indian techies and so on — and they play a full part in English country life.

While the Tour de France was a novelty and a spectacle it still showed a desire to engage with Europe – and even better if it was also an exercise in the indulgence of another typical British trait — celebrating an excuse to get drunk.

The caravan that travelled through Yorkshire and into the heart of London was a peculiar celebration of French and Yorkshire promotions — big Visit Yorkshire floats, motorised Fruit Shoots and a speeding Carrefour mountain.

The whole spectacle showed how the British embraced a temporarily transplanted icon of Europe in a way that Jeremy Deller might describe as celebrating ‘Joy in People’ — even if they were mostly French and on bikes.

Tower of London and the Shard Wait for the Tour de France
Tower Bridge, the Tower of London and the Shard Wait for the Tour de France

Do you think the Tour de France confounded the Eurosceptic stereotypes — I’d love to read any comments below.

‘Mad’ Frankie Fraser, Jack ‘The Hat’ McVitie and the Bulgarian Carrot

For various reasons I’ve been incredibly pushed for time over the last week — principally related to a suspected outbreak of an unpleasant type of virus in the household. While it didn’t affect me directly, it had quite a knock on effect but I won’t go into the gory details. I was also quite addicted to watching every news programme and political discussion going that read the runes of the post-election negotiations — and I got most indignant at times about one potential outcome. Also, while it’s wonderful at this time of year, especially where I live, to see the trees coming into leaf and the days lengthening, it brings all kinds of tedious jobs in the garden like lawn mowing and weeding. I got nearly 200 little bedding plants delivered in plugs during the week which needed potting up, which I couldn’t do until this evening, so I lost quite a few. I also got five chilli plants delivered — one has the great name of ‘Bulgarian Carrot‘.

While I was otherwise occupied time was running short all week and I had a couple of novel course related pieces to produce. Most worrying was my looming tutorial with Alison on Monday for which I needed to send up to 3,000 words ‘by Friday’. I also have a major stage looming in my MSc dissertation and had to postpone my regular Skype chat with my supervisor by two days. I hastily revised the ‘problem overview’ section of the dissertation (2,000 words in all) and sent that off for review by Thursday afternoon (I’m very behind on that). This meant I had about 300 words written by about 3pm on Thursday for my tutorial. With the liberal assumption that ‘by Friday’ would mean by about 5pm on Friday I sat down to write a chapter as quickly as I could.

I wasn’t particularly well disposed to writing towards the end of the week. In Emily’s class we were reading extracts that we had potentially chosen for the evening event in June. I wasn’t sure what to use and hadn’t had time to write the Prologue idea (see previous posting). Alison had helpfully responded to an e-mail that I’d sent out bemoaning my inability to choose and she suggested a section from Chapter Two where Kim pelts Nic with paint from the roof of Village Underground. I quite like that bit too but it was over 900 words. I managed to pare it down to just under 700 in an editing session on Wednesday afternoon and then read it a few times for timing — marginally over 4 minutes.

Because of the virus issues, I had to miss the class I’ve started doing on Wednesday afternoons at City Lit and drive instead to London. I set off late and got stuck in traffic, due to an broken down horsebox, and then it took twice as long as on Monday to get from Finchley to Islington. So I arrived about 25 minutes late for a 90 minute class.

We had quite a few readings to hear and I happened to sit at the end of the row and was last in the reading order. I spent most of the class wondering if time would run out before it was my turn as well as being very impressed with the quality of the material that everyone else was reading. Some people read familiar stuff we’ve already heard and others read out reworked pieces that were significant improvements on the originals. A couple of people read completely new material — and it was all good — frighteningly so.

We ran out of time before Simon and I could read. I wasn’t in a particularly good mood anyway but I knew people had to have their tutorials so I asked Emily if I could mail the piece to her as I really wasn’t sure whether it was the right one. She then took pity on the two of us that hadn’t read and let us run on late. Simon read his novel’s opening of his — which had impressed us all the first time he’d read it.

I read mine but found what seemed to work ok on the page tripped me up as I read it out, although I’d generally managed it ok when I practised it — mainly stumbling over tongue-twisting alliteration. A few people in the class had read this chapter but most hadn’t — including Emily — so the location and situation were new to them as well as one character. I got a few laughs as I read, which was good, but the feedback afterwards seemed to be somewhat underwhelming. People seemed to think other scenes might be better. Emily said it was a good scene — very visual — but perhaps I should use something about when James and Kim go on a bender together — had I written that yet?

I came back home in a pretty foul mood. I think Emily had a good point about the choice of scene — I want something that features both my main characters — but I brooded over whether that meant I’d not yet written anything good enough to read out yet. The readings had also shown me how much progress other people were making on the course and made me think that somehow I was regressing. Almost as soon as I got home I went upstairs to bed and wouldn’t talk to anyone.

So I wasn’t in too much of a hopeful mood to set down writing for the tutorial the day afterwards — but nothing focuses me like a deadline. I wrote most of a first draft on Thursday night — about 2,000 words — then got up at 6am and added another 500 or so — and I added in the 300 I’d previously done. By 10am — when I Skype’d my MSc supervisor, I’d got a first draft of 2,800. I printed it out and made many corrections on hard copy then revised in Word. I then printed it out again, read it out loud, and did a further revision. By 3.45pm I was able to e-mail it off to Alison.

I was very pleased to have been able to write so quickly although in retrospect I think the piece is flawed by a few misjudgements about plot and tone more than there are problems with the writing. I ran the risk of planting issues in Alison’s mind before she read it by asking ‘is it too melodramatic?’, ‘are the main characters sympathetic?’, ‘is the balance between humour and dramatic action ok? ‘.  Some of the description is a bit clunky but what can I expect?

Part of the reason why I feel happier with the writing is that it’s moved back into a situation where I’m very at home — a pub. Kim works at a pub that I’ve based very closely on a spit-and-sawdust boozer in Hoxton that I’ve visited a few times, the last being a couple of months ago. I’ve tried to describe the varied clientele and the down-at-heel ambience. Before Kim goes in to work she winds James up by telling him he’ll be unwelcome if he looks like ‘a City arsehole’. He then asks her if it’s the Blind Beggar that she’s taking him to. This, unknown to Kim, is a pub notorious for its connections to the Kray twins (it’s also where the Salvation Army started, which is ironic for a novel about a pub) — click on the link to find out more.

This immediately made me think about how the Krays and their associates are such an ingrained part of popular folklore — but something that’s probably not very well-known to people who’ve only been in the country for the last few years. Even though the events were 45 years ago and these people were in reality unpleasant, violent criminals, the exotic names of some of the players in the Kray story have entered a collective cultural consciousness — Jack ‘the Hat’ McVitie is my favourite but also ‘Mad’ Frankie Fraser and ‘Nipper of the Yard’ (though he was on the good side).

In a section that no-one but me will probably like, but that cheered me up writing it no end, James reels off these bizarre nicknames to Kim, who is utterly bewildered. It also brings to mind the brilliant ‘Cockney Wanker’ cartoons in Viz which features some hideous East End boozer — which has two framed portraits on the wall — one of Winston Churchill and the other of Hitler.

‘I Agree With Nick’

Seems to the new catchphrase of the moment — and very apposite as both Cameron and Brown desperately try to convince Clegg that they do agree with him just enough to get him to drop his core demands and prop up their minority parties.

I find politics absolutely enthralling, especially when politicians aren’t in control of events, as in elections, and are unable to spin their way out of setbacks, compromises, about turns, revelations of hypocrisy and duplicity and so on. Election night coverage is fantastic as the politicians have to constantly adjust their positions to the results as they unfold. They normally have to try and pretend they’ve understood the will of the people and accept defeat gracefully through gritted teeth or try not to sound too triumphalist or relieved if they’re winning. Normally by the weekend after the election we’re into some refreshing honesty with the new government trying to dampen the expectations they’ve just spent weeks raising and some public back-biting and candid blame allocation in the defeated parties’ ranks. Not this time, though — the intrigue continues with plenty of politicians petrified of what their party leaders might sign up to and some coded warning shots coming out in interviews.

The aftermath of the election promises to be more fascinating than the election night itself. I stayed up for the whole duration of the BBC Election programme — 9.55pm until 9.30am the next morning. I caught myself nodding off only once or twice for five minutes at a time around 5.30am. I wanted to stay up to see if the Greens won their Brighton seat (who I probably would have voted for if they’d stood in my constituency — which was had no serious candidates as boundary changes have put me in John Bercow’s speaker’s seat). I set myself up with two laptops streaming Sky and ITV’s coverage and which I used in conjunction with the BBC and Guardian websites to do my own analysis on the seats as the counts were announced. (I used up all my remaining mobile broadband allocation for the month by using it to watch the Sky pictures).

Election Night 2010
Jeremy Vine augmented by Two Laptops -- Election Night 2010

Here’s the scene from my sofa with Jeremy Vine on the BBC with Sky on the laptop and ITV on the netbook. (Jeremy Vine is in my academic year — he shares a lot of cultural reference points with me when I hear him on his Radio Two show).

Those on the City Course and close readers of the blog will know that I have about 50,000 words written of a political novel. It’s gone on the backburner a bit for two reasons. One is that I’ve used parts of the City course to develop a new idea — and that’s gone pretty well as ‘The Angel’ is probably a better structured novel. The other is that I’ve been aware of events making my political angles in the novel obsolete or dated — one point being that it involves a New Labour minister. Politics isn’t the main driving force of the plot, though, and a rewrite could probably have made it appropriate to a Tory administration.

But a traditional change of government isn’t what we’re going to get — which means the legacy of Labour is likely to be felt for quite some time, either through their participation in a Lib Dem-Labour coalition or in their machinations if some alternative arrangement works. We’re also likely to have another election sooner or later.

Another interesting factor is the resurgence of interest in politics — with increased turnouts demonstrating the evidence.

So I’m quite encouraged that my political novel isn’t going to be obsolete or dated and might actually have something to say that’s going to be quite relevant to whatever happens in the next couple of years. Also, Oxford East, the constituency that my MP’s is based on stayed Labour against the odds. I just have to get writing the two novels — great fun as the election was it meant I wrote nothing myself.

Revising Chapter Three

I’ve spent quite considerable time over the past week revising the chapter three that I read at last Monday’s workshop. As previously I’ve had lots of really useful comments written on my manuscripts by the other students. It’s also quite difficult and time-consuming to keep track of the changes marked in a dozen or so annotated scripts but I’ve been careful to go through all of the comments, note the parts where there’s obvious consensus and weigh up the different perspectives.

It’s quite difficult as people have different preferences and in more than one place I’ve had someone cross out a sentence that has been ticked or praised by another person. It’s the fourth time I’ve had the feedback now and I’m coming to know various people’s preferences, which unsurprisingly tend to mirror their own writing style (lean and taut in some cases, lyrical and colourful in others, empathetic and intense and so on). Having had a few days to mull it over, I’ve probably found the harshest feedback the most useful. I eliminated about 100 words out of the original 2,600 mainly by deleting adverbs and unnecessary bits of speech, such as ‘not really’. Some of the mistakes that I had in the extract are pretty obvious errors in retrospect. My thirteen year old daughter saw Rick’s corrections and told me off about ‘stared briefly’ as well — ‘you can’t stare briefly’.

I also managed to restructure some of the more troublesome sentences with some help from people’s suggestions. For example, this long sentence now reads better than previously, although I’m still not sure if I have it completely right: ‘As she breathed, her chest pushed forward and the outline of her breasts stretched the previously slack material, jolting James a little as he realised that hidden underneath her sexless clothing was a distinctly female form.’ (I’ve just revised it yet again while posting it here.) This was the passage was that caused the previously-mentioned controversy about James — whether he was outrageously judgemental about Kim’s appearance or just ‘doing what men do’.

While I’ve pruned it quite a bit I’ve also added in about 50 extra words to address other concerns. One was about emphasising the Kim’s German background. I’ve replaced one of James’ slightly lame phrases of approbation with ‘Wunderbar’ (actually the name of a Cadbury’s chocolate bar on sale in Germany). I also had Kim respond to James’ declaration of passion for food’s favours and textures by her saying that it didn’t really apply to German food — all sauerkraut and currywurst. (I’m quite an expert on the sort of food Germans eat, having had countless meals in the works canteen of a DAX-30 listed company and eaten in restaurants all over Germany as well as eaten plenty of beer-soaking-up food in Biergartens and Weinachtmarkts.)

One question I have that I’d be interested in having answered is whether if you’re writing a German noun in an English piece of writing whether you retain the initial capital letter — as in Biergarten.

While revising Chapter Three, I went back to Chapter Two of ‘The Angel just to check for continuity and it’s a good job that I did. Alison marked this over the Easter holidays and perhaps it’s no wonder she commented that the payment of the money for the painting was too long and drawn out in  Chapter Three: it had already happened in the Chapter Two that she’d read. She must have had at least a sense of deja vu.

Alison and a couple of other people also wanted Kim a little more agitated and stressed. I’m not sure if I’ve achieved that but I wanted to try and give James the effect of disarming other people — being quite good at putting people at their ease, mainly through his ability to not worry too much when he’s making a prick of himself. (I have an inspiration for this in mind — a famous TV presenter whose Tweets I follow and with whom I occasionally converse myself via Twitter.) I’m not sure about whether I’ve tightened up the pace a lot. This was something Alison commented on after hearing it read aloud but others had said it had gone quickly when read somewhere like a plane (good sign perhaps?).

I had quite a strange attitude to workshopping this piece. It was a piece I hoped I’d write past and so have something more filled with action to present to the group. When people were critical of certain aspects I was a bit non-plussed but I’d not had particularly high expectations for it. Perhaps I was hoping to ‘wing it’ a bit and hope that this part didn’t get scrutinised too hard — but found I was being picked up on things I’d tried to avoid thinking about, which was quite uncomfortable but necessary. In the end, I think I’ve got a pretty decent 2,500 now — quite a lot better than before the workshop and something that will better stand on its own rather than be a bit of a dump for setting up plot elements.

I’ve found it pretty difficult to get started again after this — partly events over the Bank Holiday (potatoes crying out to be planted) and the election is an incredible distraction. I’ve been staying up too late after debates and on other nights to take in all the coverage — good research for Burying Bad News, though.